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Chameleon Arts Ensemble presents "by the north-wind sent"

BOSTON, MA: The Chameleon Arts Ensemble's first concerts of 2012 will be on Saturday, February 4, 8 PM and Sunday, February 5, 3 PM, both at the Goethe-Institut Boston, 170 Beacon Street in the Back Bay. The program, titled by the north-wind sent, is a Chameleon-style exploration of the "Idea of North": works exploring nature, solitude, spirit and legend by composers from northern climes. It includes: Sir Peter Maxwell Davies' extraordinary 2002 Piano Trio: A Voyage to Fair Isle; Welsh-born composer Hilary Tann's From the Song of Amergin for flute, viola & harp; Carl Nielsen's Wind Quintet, Op. 43 (Denmark); Jean Sibelius' Four Pieces for cello & piano, Op. 78 (Finland); and Edvard Grieg's Sonata No. 3 in c minor for violin & piano, Op. 45 (Norway).

Over the course of six decades, Peter Maxwell Davies has gone from avant garde enfant terrible to an appointment as Master of the Queen's Music in 2004, recognizing both his role at the heart of British musical culture and his tremendous international influence. Since the 1970s he has made his physical and spiritual home in the Orkney Islands, north of mainland Scotland, and his music since that time has often reflected its stark land- and seascapes, as well as his identification with its traditional culture. His Piano Trio was inspired by a trip to the first ever music festival on the even more remote Fair Isle. In the course of the festival, the entire island population of about 70 participated in the premiere of a difficult new work by native composer Alasdair Stout, and Davies was deeply moved at the way a piece of new music had so permeated a community. "My Trio," he writes, "is an attempt to express my delight at, and appreciation of this Fair Isle experience." Over the course of the piece, Davies captures the spirit of the indigenous dance music and the folk song style characteristic of Fair Isle, distilled, of course, through his thoroughly individual voice.

Born in Wales, Hilary Tann now lives in the foothills of the Adirondack Mountains in Upstate New York, where she is the John Howard Payne Professor of Music at Union College, Schenectady. From the Song of Amergin for flute, viola & harp was written in 1995, inspired by Robert Graves' restoration of the text from an ancient Celtic calendar-alphabet. Three lines are represented directly in the piece, each by featuring a different instrument: "I am a wind: on a deep lake, I am a tear: the sun lets fall, I am a hawk: above the cliff."

Since its founding in 1998, Chameleon and artistic director Deborah Boldin have earned unqualified praise for integrating old and new repertoire into unexpected chamber music programs that are themselves works of art. They were recognized nationally with 2009 and 2007 ASCAP/CMA Awards for Adventurous Programming. The Boston Globe praised Ms. Boldin's "stellar example of interesting programming," and her "discerning ears and cosmopolitan tastes," and remarked, "Boldin is continually looking for big but little-known works - new, recent, and old - and putting them together in intriguing, organic combinations. The cross-references are not just intellectual; you can feel them in your body."

This innovative ensemble now draws capacity audiences of those who love the adventure of music - classic and contemporary. The musicians are among Boston's most sought-after performers, with growing national and international reputations. Their superb artistry and finely honed collaborative skills ensure luminous performances and dynamic musical dialogues. The Boston Phoenix hailed "A performance that was as tender as it was ferocious, as expansive as it was intimate, as mysterious as it was open-hearted... I doubt I'll ever hear it played better."

For tickets or more information, concertgoers can call 617-427-8200 or visit www.chameleonarts.org.  Individual tickets are $43, $33 and $23. $5 discounts for students and seniors are available. Goethe-Institut is a wheelchair accessible venue.