Vokes Theatre
Route 20, P.O. Box 283
Wayland, MA




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Vokes Players' 2011-2012 Season
(Click on each title for more information & photos!)
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book/lyrics by
Barry Harman


music by
Keith Herrmann

Directed by
JulieAnn
Charest Govang

Music Direction by
Mario Cruz

Choreography by
Laura Espy
November 3-19, 2011

Two entirely different takes on love are presented in our season kick-off, Romance/Romance, the charming Tony-nominated musical by Barry Harman and Keith Herrmann. Act One tells the comedic tale of two well-heeled lovers in Vienna, circa 1900, both feeling that their lives have become boring, looking to make a change. Alfred and Josefine meet each other as they are both pretending to be poor, working-class people. They realize that the love they’re looking for is not as difficult to find as it is to keep. Act Two shifts in time and place to modern New York. Sam and Monica are best friends and they’re married … he’s marred to Barb, she’s married to Lenny. On an outing to the country, in the late hours while their spouses sleep, Sam and Monica let a conversation about their love lives lead them into dangerous territory. Can these friends keep their marriages and their friendship together if they admit to the romantic feelings they harbor for each other?
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#300

The Cripple of Inishmaan
by
Martin McDonough


Directed by
James Barton
March 1-17, 2012

For over a hundred years, many a young person has found escape at the movies. A remote island off the west coast of Ireland seems to be the most unlikely setting for any kind of escape, but Billy Claven might actually get to live his dream to be in the movies. But in playwright Martin McDonagh’s world, dreams come to life in strange and dangerous ways. With this dark, shockingly funny and deeply touching chapter of his Aran Islands Trilogy, McDonagh again captures the depth of feeling that the Irish people have for family, home and their roots. The characters that we meet on Inishmaan are hurt, proud, vengeful people, who happen to have such a scathingly witty way with words that you will laugh explosively in spite of yourself.
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#301

A Streetcar Named Desire
by Tennessee Williams

Directed by
Chris Cardoni
May 3-19, 2012

In Tennessee Williams’ powerful and poetic classic, set during the restless years following World War Two, fragile, faded Southern belle Blanche DuBois seeks refuge from her checkered past with her sister Stella Kowalski, who lives in the French Quarter of New Orleans with her husband Stanley. Stanley – blunt, brutish, sensual, territorial – pushes Blanche for answers about the loss of the family estate, and why she left her job as a high school English teacher. Desperate to start anew and clinging to a futile dream of genteel refinement, Blanche is dismayed by the undeniable animal connection between Stella and Stanley. Attracted to Stanley 's poker buddy Mitch, who treats her with kindness and respect, Blanche glimpses a way out of her predicament; but as rumors begin to catch up with her, the stage is set for a searing confrontation with the ghosts of her past – and with the dangerous, domineering Stanley.
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#302

The Voice of the Prairie
by John Olive

Directed by
John Barrett
July 19-August 4, 2012

The Voice of the Prairie is an ode to the art of storytelling. Davey Quinn is an itinerant farmhand in the American Midwest of the 1920s. He is also a captivating storyteller with a gift for touching his listener’s hearts. Many of his stories involve Frankie, a young blind girl with whom he had run away years before and then lost. Into Davey’s world comes a new medium – radio. Soon stories of Davey and Frankie and their slightly scandalous adventures of long ago are capturing imaginations throughout the Midwest and a simple farm boy has become a celebrity – and far away, a staid, respectable teacher of the blind named Frances is suddenly being asked some very pointed questions by a very curious fiancé. The Voice of the Prairie entwines the lives of two fascinating characters, with the excitement of the birth of a dominant new medium. It’s different, it’s charming, and it’s full of wonder.
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